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Carnage

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REVIEW: Polanski's acerbic latest certainly betrays its theatrical roots, but generates more than enough interest by continually complicating our sympathies, argues Richard McCulloch...
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Published on February 19, 2012

   
PREVIOUSLY FEATURED ARTICLES

The Artist
ALTERNATE TAKE: Reveals an ambivalent attitude towards the art of early film...
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Published on February 15, 2012
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Margin Call: Notes on Hollywood and the Economic Crisis
Hollywood asks us to pity the architects of the economic crisis...
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Published on February 13, 2012
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The Alternate Takes Approach
On the ethos and methods of this site...
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Published on March 11, 2011
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Reviews

Martha Marcy May Marlene

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Thematic clarity in narrative ambiguity...
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Published on February 11, 2012
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Alternate Takes

Shame
Taps into something fundamental to on- and off-screen sex...
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Published on February 05, 2012
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Articles

Imagined Consensus: Pixar and the Age of Aggregated Film Criticism
The critical reception of Cars 2 and the effects of sites like Rotten Tomatoes...
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Published on October 10, 2011
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The Descendants

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Payne's latest is worth the wait...
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Published on February 06, 2012
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The Girl With the Dragon Tattoo
Fincher's adaptation loses something in translation...
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Published on January 28, 2012
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Balancing Horror and Comedy in the Scream Series
Jim Holden on how Wes Craven's franchise uses its genre to express its themes...
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Published on June 16, 2011
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The Artist

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Lacks much that makes early film great...
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Published on January 31, 2012
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Hugo
A melancholy paean to film's capacity for connection...
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Published on January 15, 2012
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Questioning 'Empowerment': The Reception and Feminism of Sucker Punch
Sucker Punch may be the most genuinely feminist action movie ever to emerge from Hollywood...
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Published on May 26, 2011
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Haywire

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Invigoratingly physical, but stumbling in other areas...
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Published on January 29, 2012
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50/50
Though a screenwriter's film, many of its problems lie in the script...
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Published on January 07, 2012
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Thoughts on "So Bad it's Good": The Pleasures of The Room
James MacDowell on issues of value and intention in the appreciation of 'bad' filmmakers...
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Published on May 18, 2011
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