Reviewed by Simon Ramshaw.
To take any another approach with such a rancid narrative would ultimately be of disservice to the true story behind it. Chronicling the career of evil pursued by full-time drunkard/part-time serial killer Fritz Honka (Jonas Dassler, who is the age of this reviewer, playing a 39 year old pervert very convincingly), the film takes a few prolonged episodes from his life in a similar fashion to The House that Jack Built (2018), only without the hyper-intellectual self-reflexivity. At one seemingly irreverent point in Lars von Trier’s epic treatise on cinematic torture, Matt Dillon’s Jack describes the elegance of the “noble rot” that is essential to making a great wine. The Golden Glove, as it goes, is just all rot. Honka’s teeth, for instance, are caked with decades of plaque; his ropey apartment is decaying from every angle, and the vulnerable women he prays upon are so spaced-out that they might as well be zombies. It is this blending of horror tropes and various sub-genres that creates a kind of cumulative effect, making Akin’s film more disgusting and exhausting as it limps on towards its logical endpoint. All things considered, it’s difficult not to admire something so utterly horrifying, which is really the case with all truly successful gore movies.
This review was published on February 21, 2019. Post your views Article comments powered by Disqus |
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